https://sara-cattin.com Sara Cattin Tue, 04 Nov 2025 03:30:20 +0000 https://sara-cattin.com en https://sara-cattin.com/Menu Tue, 20 Oct 2020 14:57:04 +0000 Sara Cattin https://sara-cattin.com/Menu SARA CATTIN☞ CV ☞ BIO ☞ MONTADINANZA: inverni resilienti. ☞ –ESP– set design ☞ ISTERIKA ISTORIKA ☞ Queste oscure materie ☞ Maintenance of what? Staying with the shepherd ☞ Maintenance of what? Part III ☞ Voli radicali - Resta Qui Airlines☞ Plant of S-Control ☞ Flags of transitorial occupation ☞ Resta Qui Airlines - Verde Vivente&nbsp; ☞ Flowing_floating ☞ Gara Poetica Sarda ☞ Gite_fuori_tempo ☞ REALTY ☞ The lost fortunes and FUCK KARMA https://sara-cattin.com/CV Mon, 14 Dec 2020 13:52:16 +0000 Sara Cattin https://sara-cattin.com/CV Sara Cattin 1990 scattin2@gmail.comsaracattin@crossproject.it Turin / Biella, IT education / training MA - Dutch Art Institute*, Roaming Academy, Art Praxis programme of ArtEZ University of Art (Arnhem, NL). 2017 - 2019.&nbsp; https://dutchartinstitute.eu/page/17272/2017---2019-sara-cattin-~-keywords-cross-media-approach-rural BFA - Gerrit Rietveld Academie (Amsterdam, NL). Audio Visual department, 2009 - 2014. Exchange Programme - Bezalel Art and Design Academy (Jerusalem, LI). Fine Arts department, 2013. Single study courses (CFU credits) Accademia di Belle Arti di Brera (Milan, IT), 2021/2022: “Didactic art forms”; “Educational technologies”; ”Psychology fundamentals”.Theory and practical course “Il Corpo Docente” (27 h). Lavanderia a Vapore (Collegno, IT). 2024.https://www.lavanderiaavapore.eu/events/il-corpo-docente-primo-incontro/Curently - Training course for practitioners – Maquette project, run by the Sotterranea association (Piedicavallo, BI) https://sotterranea.eu/maquette.html#home&nbsp; curatorial / tutoring / production&nbsp; _2023 &gt; ongoing - Curator at CROSS Residence for Fondazione CROSS ETS (Verbania, IT).Curator, tutor, coordinator, territory mediator for CROSS Residence.&nbsp; Production CROSS Festival, art director assistant. https://www.crossproject.it/en/ _August 2025 - Event production for Dutch Art Institute (NL), at Centrale Fies (Dro, IT).&nbsp;_April 2024 - Curator assistant for panel discussion “Digital and Live Performance, uno sguardo sul contemporaneo” by NABA - Nuova Accademia di Belle Arti Milano, curated by Antonella Cirigliano, in the context of exhibition PLAI, Fabbrica del Vapore (Milano, IT). &nbsp; _Sept&gt;Oct 2021, 2022 and 2024 + May 2023 - tutoring and residency production in Socially Engaged Art practice and Artistic Research programme at Accademia UNIDEE, Fondazione Pistoletto (Biella); International Curriculum of Fine Arts, 1st and 4th year students; a collaboration with ArtEZ University of the Arts (Arnhem, NL)._2022 - logistics and care assistance for Dutch Art Institute (NL) in Centrale Fies (Dro, IT) and BACO Base Arte Contemporanea Odierna (Bergamo, IT).&nbsp;_June 2022 - tutoring and production for STARTS 4 Water academy, residency Water as Infrastructure, Fondazione Pistoletto (Biella), exhibition Arte al Centro (July 1st).&nbsp;_Oct&gt;Nov 2021 - research assistant and reseach production for artist David Bergè (B/GR), work of research on the industrial historical context of company Bialetti (Omegna, IT). _2020/2022 - inteviews and archive production for project Biella Città Arcipelago, mapping of sustainable territorial&nbsp; enterprisings, Fondazione Pistoletto (BIella). _July 2019 - Didactic tutor, documentation and logistics for UNIDEE residency module Summer Camp 2019 Climate Action, with Fernando Garcia Dory, Luigi Coppola and Brett Bloom, curated by Valerio del Baglivo, Fondazione Pistoletto (Biella)._Sept&gt;Dec 2018 - Archival research at Archivio Storico Olivetti (Ivrea, IT) on the work of Ettore Sottsass for professor Sven Lutticken; research included in the essay “From the Imaginist Bauhaus to Olivetti”, p.49 in Ettore Sottsass and the Social Factory, ICA (Miami, USA). _July&gt;Oct 2018 - Cultural mediator at Fondazione Pistoletto, in collaboration with Fondazione Zegna; UNIDEE residency Expanded Body 2 - Inhabiting Time, curated by Andrea Caretto and Raffaella Spagna; production of an interdisciplinary manual for tour guides in Oasi Zegna (Biella, IT)._Aug 2017&gt;Jan 2018 - Assistant of production at art residency Viadellafucina16, Condominio-Museo (Turin, IT); production of the exhibition “I ragazzi di viadellafucina”, Turin Artweek 2017._March&gt;June 2017 - Assistant of production at art residency Hotel Maria Kapel (Hoorn, NL); manager of production for artist in residence Alanna Lawley, exhibition “What is”. my workshopsHuman Objects and Fantasy Technologies. A collective reading workshop on contemporary Nigerian science fiction. By ISTERIKA ISTORIKA.&nbsp;Public programme: Il Museo in Libera Uscita, organised by ARTECO and MAET (Geisser Library, Turin). Nov 2024 and March 2025 - ISTERIKA ISTORIKA Cineforum at Almanac Inn (Torino, IT). Feb-March 2024 - Queste Oscure Materie, with Almanac Inn, in collaboration with Acmos and Area Onlus (Turin, IT). Exhibition at Almanac Inn June-July 2024. https://almanacprojects.com/exhibitions/queste-oscure-materie March 2024 - Isterika Istorika,&nbsp;Utopian stories for dystopian realities (and vice versa), workshop at Edhéa - Valais school of Art (Sierre, CH), MA symposium “Worlds of Possibilities.&nbsp; https://edhea.ch/en/evenements/worlds-of-possibilities Nov 2023 - Workshop by Isterika Istorika at Suq dei Saperi, festival Evening School of Care, curated by Daniele Ninarello, Elisabetta Consonni and Chiara Organtini, at Lavanderia a Vapore (Collegno, IT).&nbsp;May 2023 - Diventare corpi d’acqua, workshop by Isterika Istorika at Fluviale Festival, Spazio HYDRO (Biella, IT).&nbsp;April&gt;May 2022 and 2023 - Sentieri di Partecipazione (path of participation): a program on mapping, outdoor perception and environmental politics with the Youth Municipal Councils (CCR), by Resta Qui Airlines and Dragolago, Lake Orta area (Ameno, IT). Supported by Civic Europe 2022 and PNRR Attrattività dei borghi storici 2022-2026.April&gt;May 2022 - Pianta dello Scontrollo (plant of s-controll): a program on mapping, free artistic creation and inclusive politics at Sacro Monte di Orta (Orta San Giulio), with the primary school second grade of Orta San Giulio, as part of Verde Vivente (Mastronauta, IT).&nbsp;Feb 2022 &gt; Dec 2022 - Clay workshop for kids at Scuola delle Terrecotte of Ronco Biellese (Biella, IT).shared spaces and community projects2020 &gt; ongoing - ISTERIKA ISTORIKA_reading platform on feminisms of any gender and genre. 2026 &gt; ongoing -&nbsp;member of co-working and community project CLAP (Turin, IT)2023 &gt; 2015 - part of shared working space VENTUNESIMO (Turin, IT).&nbsp;2018 &gt; 2020 - Part of Better Places a.p.s. and HYDRO, independent space for live music, clubbing, and culture (Biella, IT). 2015 &gt; 2017 - member of co-working, workshop and open-to-public artistic space LABORATORIO ARTISTICO PIETRA (Turin, IT). residencies Nov 2024 &gt; May 2025 (6 weeks) - Invited. Project MONTADINANZA. Resilient Winters: Practices &amp; Economies. By Associazione Cap24020 (Gromo, IT), in collaboration with Ways of Working (UK).&nbsp; Dec 2024 - (selected) Residency Mudule UNIDEE “Cracking Concrete: making and maintaining radical structures through place-based practice", program WAYS OF BECOMING, curated by Eva Rowson, Bianca Elzenbaumer, Andy Abbott. Fondazione Pistoletto (Biella, IT).&nbsp; August 2024 - (invited) Cuginə edition 0.0, Ceva (CN), Fraz. Poggi San Siro (IT). Conceived and curated by Giulia Odetto. March 2023 - (selected among 200 applicants) Bulegoa z/b, Bilbao (ES). Winner open call 2022.&nbsp; July 2019 - Towards an Expanded Landscape tutored by Fernando Garcia Dory, UNIDEE Summer Camp 2019 Climate Action, with Luigi Coppola and Brett Bloom, Valerio del Baglivo at Fondazione Pistoletto (Biella, IT). October 2018 - Pattern Integrity, UNIDEE residency module at Fondazione Pistoletto (Biella, IT), curated by Amy Franceschini and Lode Vrenken (FutureFarmers). public presentations2025 Public talk Digital Visual, curated by Cripta747 (Torino).ESP Extra Sensory Perception - Colline Torinesi Festival (18, 19, 20 Ottobre). Set design, graphic and video design, drammaturgy assistant. A project by Benedetta Parisi, production: Teatro Piemonte Europa, CUBO Teatro. Fondazione Merz (Turin, IT). Presentation of “MONTADINANZA: Inverni Resilienti”, end of residency project at CAP24020, Alta Val Seriana (Bergamo, IT).&nbsp; 2024 Exhibition Queste Oscure Materie at Almanac Inn,&nbsp;June-July 2024&nbsp;(Turin, IT).Reading by Isterika Istorika at Lavanderia a Vapore, Spring Rolls Festival (Collegno, IT). 2023Collective reading by Isterika Istorika at exhibition Collaps, by Cripta 747 (Turin, IT). Maintenance of What? A place, a thing, an idea. Part III. Bulegoa (Bilbao, ES). 2022 CROSS Festival 2022, Voli Radicali, a performance by Resta Qui Airlines (Ameno, IT). 2021 Isterika Istorika at Volumes book Fair (Zurich, CH). Resta Qui Airlines, installation for didactic activities at Forum di Omegna, collaboration with Dragolago and Mastronauta (Omegna, IT). Resta Qui Airlines, performance and permanent video installation opening, Verde Vivente, outdoor environmental project, with Dragolago and Mastronauta (Ameno, IT).&nbsp; 2019 Radio Mutiny, group project DAI Roaming Assembly #26, conveyed by iLiana Fokianaki, Cagliari. Flowingfloating nell’Oscurità, performance with DAI COOP study group Curating Positions, the Logics of Montage, DAI COOP Summit 2019, in collaboration with the school of launeddas of Villaputzu (CA), Ex-Manifatture Tabacchi (Cagliari, IT). Celluloide Traces, screening and live conversation, DAI COOP Summit, COOP Curating Positions, collaboration with Cineteca Sarda of Cagliari, curated by Sara Cattin and Vinita Gatne, Cineteca Sarda (Cagliari, IT). Maintenance of What? Part2, performance, DAI Graduation Acts 2019, Silent Green (Berlin, DE). 2018Performance Maintenance of What?, DAI Kitchen Presentation, ArtEZ (Arnhem, NL). REALTY, performance, DAI COOP Summit 2018, Circuits and Currents (Athens, DK). Resta Qui Airlines, performance, UFO Festival at Mastronauta (Omegna, IT). 2017 Resta Qui Airlines, performance, UFO Festival at Mastronauta (Omegna, IT). 2016 L’Oro degli Idioti, performance, exhibition Here, Cavallerizza Irreale (Turin, IT). The Lost Fortunes and Fuck Karma, self curated and produced exhibition at Laboratorio Artistico Pietra (Turin, IT). texts2023 - “Un pugno a testa”, online text for blog Atto Precario curated by Collettivo EFFE (Turin, IT). https://attoprecario.substack.com/p/13-anniversario 2019 - “Staying with the Shepherd”, online article for NERO, extract from MA thesis (DAI)&nbsp; “Reconnect, and stay alive. Leaving behind the idea of domain at the passage of roaming shepherds” (August 2019)&nbsp; https://www.neroeditions.com/staying-with-the-shepherd/ *MA - Dutch Art Institute intersection of art practice and theory in the context of&nbsp; “roaming” throughout different institutions in Europe. I attended: 2017/18 - How to Do Things With Forms, theory seminar by Sven Lutticken; COOP study group REALTY, research on gentrification processes in connection to the art system, (Tirdad Zolghadr, Rachel O’Reilly, Katya Sander). 2018/19 - theory seminar Uncomputable, by Antonia Majaca; Factory workshop Island Partisans, Anarchists, Bandits and Pirates (iLiana Fokianaki); COOP study group Curating Positions The Logic of Montage, collective curatorial project (Leire Vergara, Marwa Arsanios, Leon Filter, Bulegoa z/b). https://sara-cattin.com/About Mon, 14 Dec 2020 13:54:55 +0000 Sara Cattin https://sara-cattin.com/About biobio Sara Cattin lives in Turin (IT) and is a multidisciplinary art worker focused on visual and participatory projects in marginal contexts. She trained at the Gerrit Rietveld Academie and developed an independent approach to critical studies at the Dutch Art Institute (NL). Since 2023, she’s curating and coordinating CROSS Residence, a programme by Fondazione CROSS ETS for performance and contemporary dance in relation to rural territories and communities, located in between lakes Maggiore and Orta. As tutor and coordinator she also collaborated with Fondazione Pistoletto and Accademia UNIDEE in Biella. In her practice she tackles research by investigating territories from a social, economic and cultural point of view, developping new ways to look at things through an imaginative and speculative lence. Of this kind, “Maintenance of What?” is a project researcing transhumant pastoralism as a practice and device (hosted by Bulegoa in 2023, Bilbao). In 2025 she worked on a co-shared research, Mondatinanza (CAP24020, Alta Val Seriana) about mountanous communities and human perception concerning climate and environmental clanges.&nbsp;Since 2020, she co-curates the transfemnist platform and reading platform on sci-fi and distopian narratives called ISTERIKA ISTORIKA.&nbsp; scattin2@gmail.com https://sara-cattin.com/Montadinanza Sun, 11 May 2025 07:46:04 +0000 Sara Cattin https://sara-cattin.com/Montadinanza MONTADINANZA. Resilient Winters: practices and economies.&nbsp;MONTADINANZA. Inverni Resilienti: pratiche ed economie.&nbsp; <img width="5306" height="3538" width_o="5306" height_o="3538" data-src="https://freight.cargo.site/t/original/i/f6e28953836b0597559a177bc06e1348949b61430b6b88bcc9e2f728b9b880b6/IMG_7656.JPG" data-mid="233255283" border="0" src="https://freight.cargo.site/w/1000/i/f6e28953836b0597559a177bc06e1348949b61430b6b88bcc9e2f728b9b880b6/IMG_7656.JPG" />EN November 2024 &gt; May 2025. A project curated by CAP24020, in partnership with Ways of Working (UK). With artists Sara Cattin and Judit Neunhaeuserer. With the participation of Anna Andreoletti, Chiara Pendezza, Christian Gandelli, Ibrahim Camara Fode, Jobayer Mohammad, Marta Bonandrini, Pietro Cominelli, Valentina Luiselli. Supported by European Cultural Foundation - Culture of Solidarity Fund. MONTADINANZA is a term created by organization CAP24020 –taking from the word cittadinanza: citizenship- to identify the society of people living on mountanous areas. The project invited a group of 8 young people (17-25 years old) and 2 artists to create a research programme focusing on climate change and its effect on the Alta Val Seriana’s practices and economies, looking into the fast mutation that winter territories and culture are vitnessing since years. The Alta Val Seriana, as area rich of turist infrastructures, is effected not only by lack of natural snow but also by cultural, environmental and social policies that fail to develope valuable economies (and practices), and to overcome problems such as depopulation, loss of social services, poor cultural exchange, and others. In 3 steps –Prologue, Action and Epilogue– the group undertook a journey of meetings, hikes, and workshops. The artistic process aimed to rethink the concept of competition and record winning that feels so radicated in Alpine territories hosting professional sport activties and the related turist sistem. The idea was to turn a prize, an award, into something that rather than being a goal can generate energy and express a desire for the future. While creating different kinds of trophies and medals in sculptural tecniques, the group was guided into finding enties –people, organizations and things- to award for their best effort into generating sustainability, personal and collective growth, webs of relationships, valuable jobs, equity, and social structure. <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/22f4522971bad9e2a39179e2ae035a1f2388069338213412ee6abc37a6431312/IMG_3208.JPG" data-mid="233465160" border="0" src="https://freight.cargo.site/w/1000/i/22f4522971bad9e2a39179e2ae035a1f2388069338213412ee6abc37a6431312/IMG_3208.JPG" /> RACCONTO SEMIFREDDO semi-freddo tale An audio-video tale that tells story of this journey and its conceptual keypoints. Text by Sara Cattin ❅ sound design by Filippo Conti ❅ video editing by Tommaso Valli ❅ voices by Benedetta Parisi and Federico Pidello ❅ visual content by Savina Foresti and Judith Neunhaeuserer, from the activities of MONTADINANZA. <img width="2560" height="1600" width_o="2560" height_o="1600" data-src="https://freight.cargo.site/t/original/i/ec7931c0e4dfeb2a3e4388208e73815a27f915e348f64d529e8552d4840fa010/Schermata-2025-05-19-alle-22.00.25.png" data-mid="233424108" border="0" src="https://freight.cargo.site/w/1000/i/ec7931c0e4dfeb2a3e4388208e73815a27f915e348f64d529e8552d4840fa010/Schermata-2025-05-19-alle-22.00.25.png" /><img width="2560" height="1600" width_o="2560" height_o="1600" data-src="https://freight.cargo.site/t/original/i/0242c5df4497555f8f6ba3a406da8cc6e67e1d5082250670000130ada2173c7d/Schermata-2025-05-19-alle-21.57.07.png" data-mid="233424104" border="0" src="https://freight.cargo.site/w/1000/i/0242c5df4497555f8f6ba3a406da8cc6e67e1d5082250670000130ada2173c7d/Schermata-2025-05-19-alle-21.57.07.png" /><img width="2560" height="1600" width_o="2560" height_o="1600" data-src="https://freight.cargo.site/t/original/i/8dc73652d24141e1d3ccd637b9bf942156d8183c5d6c4aa90b2760f424003263/Schermata-2025-05-19-alle-21.58.34.png" data-mid="233424105" border="0" src="https://freight.cargo.site/w/1000/i/8dc73652d24141e1d3ccd637b9bf942156d8183c5d6c4aa90b2760f424003263/Schermata-2025-05-19-alle-21.58.34.png" /> <img width="2560" height="1600" width_o="2560" height_o="1600" data-src="https://freight.cargo.site/t/original/i/1a02db4d573aafa79b8b70ca648e9ad312ff2e7836399c07823407fd7e2863e1/Schermata-2025-05-19-alle-21.58.41.png" data-mid="233424106" border="0" src="https://freight.cargo.site/w/1000/i/1a02db4d573aafa79b8b70ca648e9ad312ff2e7836399c07823407fd7e2863e1/Schermata-2025-05-19-alle-21.58.41.png" /> THE AWARD DAY&nbsp; <img width="5295" height="3530" width_o="5295" height_o="3530" data-src="https://freight.cargo.site/t/original/i/447b48cf4ef19af58f79bc1e1e459abf5dd9cae3db4e31ee01686a256c4cb0c8/IMG_3180.JPG" data-mid="233424945" border="0" src="https://freight.cargo.site/w/1000/i/447b48cf4ef19af58f79bc1e1e459abf5dd9cae3db4e31ee01686a256c4cb0c8/IMG_3180.JPG" /><img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/62a256dfdc3ebceac17858c26e0b67eba01409eb602d05cea82de8067089c789/IMG_3279.JPG" data-mid="233424952" border="0" src="https://freight.cargo.site/w/1000/i/62a256dfdc3ebceac17858c26e0b67eba01409eb602d05cea82de8067089c789/IMG_3279.JPG" /><img width="5333" height="3555" width_o="5333" height_o="3555" data-src="https://freight.cargo.site/t/original/i/4737ec438f4cb3c7023bd507978acd1714606a5473bf535361efd32710ef15cb/IMG_3182.JPG" data-mid="233424946" border="0" src="https://freight.cargo.site/w/1000/i/4737ec438f4cb3c7023bd507978acd1714606a5473bf535361efd32710ef15cb/IMG_3182.JPG" /><img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/d4d4baab2c6ff137e204c505dfbab5954b0911ef2c69e693739ff38f4abef68c/IMG_3308.JPG" data-mid="233424953" border="0" src="https://freight.cargo.site/w/1000/i/d4d4baab2c6ff137e204c505dfbab5954b0911ef2c69e693739ff38f4abef68c/IMG_3308.JPG" /><img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/0b81d0bc8f42335fee186c81bd91f6b6aa12775a1735351d1178ae3f4061c8ac/IMG_3205.JPG" data-mid="233424951" border="0" src="https://freight.cargo.site/w/1000/i/0b81d0bc8f42335fee186c81bd91f6b6aa12775a1735351d1178ae3f4061c8ac/IMG_3205.JPG" /><img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/2ac695835e1739a4134ffd90fb3bc65908a9f9b081ca432f343ba7f4632d8c44/IMG_3394.JPG" data-mid="233424954" border="0" src="https://freight.cargo.site/w/1000/i/2ac695835e1739a4134ffd90fb3bc65908a9f9b081ca432f343ba7f4632d8c44/IMG_3394.JPG" /> https://sara-cattin.com/ESP Tue, 04 Nov 2025 03:30:20 +0000 Sara Cattin https://sara-cattin.com/ESP <img width="416" height="198" width_o="416" height_o="198" data-src="https://freight.cargo.site/t/original/i/18cb885ad87416e949e6b6e8d1acadd9c02a16c7b1f0e38601b4a3cc60a89601/esp-titolo-.png" data-mid="240684924" border="0" data-scale="100" src="https://freight.cargo.site/w/416/i/18cb885ad87416e949e6b6e8d1acadd9c02a16c7b1f0e38601b4a3cc60a89601/esp-titolo-.png" /> <img width="3200" height="2133" width_o="3200" height_o="2133" data-src="https://freight.cargo.site/t/original/i/8a6805b567bfe8ce19c89230cbb1c3ed3739fde6f18a9f5390942072e50db91b/20251017COLLINE-Benedetta-Parisi--ESP-phandreamacchia-DSC_6403.jpg" data-mid="240685117" border="0" src="https://freight.cargo.site/w/1000/i/8a6805b567bfe8ce19c89230cbb1c3ed3739fde6f18a9f5390942072e50db91b/20251017COLLINE-Benedetta-Parisi--ESP-phandreamacchia-DSC_6403.jpg" /> ESP (crossed out)&nbsp; <img width="3200" height="2133" width_o="3200" height_o="2133" data-src="https://freight.cargo.site/t/original/i/0996eb827ce38c1d58550470ccee6e5e53c5801cfb0cc0730417feca3b7dab32/20251017COLLINE-Benedetta-Parisi--ESP-phandreamacchia-_DSC7043.jpg" data-mid="240710228" border="0" src="https://freight.cargo.site/w/1000/i/0996eb827ce38c1d58550470ccee6e5e53c5801cfb0cc0730417feca3b7dab32/20251017COLLINE-Benedetta-Parisi--ESP-phandreamacchia-_DSC7043.jpg" /> A project by Benedetta Parisi sound design by Filippo Conti dramaturgy assistance, graphic design and installations by Sara Cattin&nbsp; video editing Tommaso Valli produces by TPE, Festival Colline Torinesi and Cubo Teatro photos by Andrea Macchia October 2025, Fondazione Merz, Torino.&nbsp; ESP (crossed out) is a project that investigates the possibilities of the mind when guided by the ‘blind’ medium of voice and sound, aiming to explore liminal spaces in between bodily sensation and imagination. The term Extra Sensory Perception refers to all those mental phenomena that allow information to be received without the mediation of the senses, such as telepathy and clairvoyance. With ESP (crossed out) we want to overturn this definition and create an interactive experience that uses the voice in headphones to guide—through stories, scores, mental visualizations—on a journey of amplification of the imagination, in between the real and the liminal. The research aims first and foremost to experiment with the potential of audio narration, but also to move away from the dictatorship of vision and visual medias. The work is made of several audio tracks that can adapt to different kinds of space, leading to different trajectories in which people their own individual journey, but also interact with others through encounters and gazes. Each track addresses a different aspect of perception shitfing: in the mirror we are guided through observation until we lose perception of our own image; inside the car of a dead person we are guided to perceive&nbsp; ourselves aging; in a dark library we are going back to childhood, in between dream and wakefulness; in complete darkness, we see a place that remains in us with the same intensity of a real memory; a cinema for one spectator only is where we can listen to a film and find an erotic intimacy. SET DESIGN AND GRAPHICS <img width="3200" height="2133" width_o="3200" height_o="2133" data-src="https://freight.cargo.site/t/original/i/d083873dd9aceeae502b656d7f68ad23937a4404b0e370c5938f14a5e4519af4/20251017COLLINE-Benedetta-Parisi--ESP-phandreamacchia-_DSC6493.jpg" data-mid="240685115" border="0" src="https://freight.cargo.site/w/1000/i/d083873dd9aceeae502b656d7f68ad23937a4404b0e370c5938f14a5e4519af4/20251017COLLINE-Benedetta-Parisi--ESP-phandreamacchia-_DSC6493.jpg" /><img width="3200" height="2133" width_o="3200" height_o="2133" data-src="https://freight.cargo.site/t/original/i/c21030a2a648eaf86dde28e1fb676176c0f03fc6ea01af777e7b40d966309316/20251017COLLINE-Benedetta-Parisi--ESP-phandreamacchia-_DSC6518.jpg" data-mid="240710248" border="0" src="https://freight.cargo.site/w/1000/i/c21030a2a648eaf86dde28e1fb676176c0f03fc6ea01af777e7b40d966309316/20251017COLLINE-Benedetta-Parisi--ESP-phandreamacchia-_DSC6518.jpg" /><img width="2300" height="1533" width_o="2300" height_o="1533" 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data-src="https://freight.cargo.site/t/original/i/26c10609fb93c901e960a2f2afbb46d372c6341a3249223090a8a6fa9c46ccfb/20251017COLLINE-Benedetta-Parisi--ESP-phandreamacchia-DSC_6476.jpg" data-mid="240940497" border="0" src="https://freight.cargo.site/w/1000/i/26c10609fb93c901e960a2f2afbb46d372c6341a3249223090a8a6fa9c46ccfb/20251017COLLINE-Benedetta-Parisi--ESP-phandreamacchia-DSC_6476.jpg" /> <img width="2300" height="1533" width_o="2300" height_o="1533" data-src="https://freight.cargo.site/t/original/i/66b4cb9a51da0e533b638e3485642379c5660f8676e9d2f8f5d68a8b58273f60/20251018COLLINE-Benedetta-Parisi---ESP---phandreamacchia-_DSC9353.jpg" data-mid="240940219" border="0" src="https://freight.cargo.site/w/1000/i/66b4cb9a51da0e533b638e3485642379c5660f8676e9d2f8f5d68a8b58273f60/20251018COLLINE-Benedetta-Parisi---ESP---phandreamacchia-_DSC9353.jpg" /> https://sara-cattin.com/ISTERIKA-ISTORIKA Thu, 02 Dec 2021 15:51:18 +0000 Sara Cattin https://sara-cattin.com/ISTERIKA-ISTORIKA ISTERIKA ISTORIKA_reading platform on feminisms of any genre and gender _piattaforma di lettura su femminismi di ogni genere EN<img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/99d77176bbf339ce453605f9a0fd4ee06a3adbeb4a2182ea1b59f62380067551/WhatsApp-Image-2023-11-07-at-23.41.03-6.jpeg" data-mid="196346491" border="0" src="https://freight.cargo.site/w/1000/i/99d77176bbf339ce453605f9a0fd4ee06a3adbeb4a2182ea1b59f62380067551/WhatsApp-Image-2023-11-07-at-23.41.03-6.jpeg" /> Sci-fi reading Platform and activities by Sara Cattin and Caterina Giansiracusa.&nbsp; https://www.instagram.com/isterika_istorika/ Contact: isterika.istorika@gmail.com Monthly reading group by Denise Cappadonia and Marti del Romano at Nora Book and Coffee, via delle Orfane 24d, Turin (IT).&nbsp; Contacts: Nora Book and Coffee <img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/b77825f7168438757742091b74f8a68144465747b9aeef351184d14fc7eddcc2/IMG-20230111-WA0009.jpg" data-mid="196032507" border="0" src="https://freight.cargo.site/w/1000/i/b77825f7168438757742091b74f8a68144465747b9aeef351184d14fc7eddcc2/IMG-20230111-WA0009.jpg" /> <img width="3417" height="1921" width_o="3417" height_o="1921" data-src="https://freight.cargo.site/t/original/i/d797200cfb967ac37e180630537e8ea6126297bb7f3bd4e9d3cfadd0d9425157/banner1_2.jpg" data-mid="158617059" border="0" src="https://freight.cargo.site/w/1000/i/d797200cfb967ac37e180630537e8ea6126297bb7f3bd4e9d3cfadd0d9425157/banner1_2.jpg" /> ISTERIKA ISTORIKA is a Platform for sharing, reading, and thinking aloud in which to listen, discuss and interpret the words of those who questions feminisms of all kinds through the lens of science fiction and related genres, enabling the imagination of other realities: future, eccentric, dystopian, alien, (im)possible realities...&nbsp; We&nbsp;believe in a transfeminist practice of horizontal sharing, orbiting between imaginaries capable of going beyond the dystopia of the present. Started in 2020, ISTERIKA was founded in Turin (IT) by Caterina Giansiracusa, Sara Cattin, Denise Cappadonia and Marti del Romano mainly as a monthly reading group at the independent queer bookshop Nora Book &amp; Coffee. The reeding club is ongoing and can be accessed by contacting the bookshop. As a long term project, ISTERIKA’s Platform produces curated activities such as workshops, cineforums and participatory installations in different contexts, opening spaces of in-depth study that intertwine reading to artistic practices. Over the years ISTERIKA has collaborated with BACO Base Arte Contemporanea Odierna (Bergamo), Spazio Hydro (Biella), Salone del Libro di Torino, Cripta 747 and Almanac Inn (Turin), Lavanderia a Vapore (Collegno), Edhéa - Valais school of Art (Sierre), Volumes (Zurich), performance artist Tea Andreoletti (IT). ISTERIKA adopts a horizontal and open methodology, in which knowledge is built collectively and the group always remains open to new participations. Free of homework and through a (non)mediation aimed at individual empowerment, ISTERIKA wants to reduce the individual performativity by proposing a contaminated and non-academic research path. The selection of titles is curated by intercepting suggestions and proposals. The bibliography, which is always evolving, ranges from fiction to theory, passing through graphic novels, poetry, and hybrid literary registers. pdf BIBLIO 2020&gt;2024&nbsp; pdf GENERAL PORTFOLIO The reading club takes place every month at Nora Book and Coffee, via delle Orfane 24d, Torino (IT). CV ISTERIKO2020 &gt; 2025&nbsp; _Monthly reading group at Nora Book and Coffee (Turin,IT). 2026_OGGETTI UMANI E FANTA TECNOLOGIE. Workshop di lettura collettiva su fantascienza nigeriana. Public program Nuove voci dal Museo in Libera Uscita, ARTECO e MAET. 2025_research assistance, project “DAMN” by performer Tea Andreoletti, art residency Santarcangelo dei Teatri (Santarcangelo, IT).&nbsp;_Cineforum at Almanc Inn (Turin, IT). 2024_Workshop at Edhéa - Valais school of Art (Sierre, CH), MA symposium Worlds of Possibilities.&nbsp;https://edhea.ch/en/evenements/worlds-of-possibilities _Readings at festival Spring Rolls, at Lavanderia a Vapore (Collegno, IT). _Cineforum at Almanc Inn (Turin, IT).&nbsp; 2023&nbsp; _Workshop at festival Suq dei Saperi, in the context of Evening School on Care, curated by Daniele Ninarello, Elisabetta Consonni and Chiara Organtini; at Lavanderia a Vapore (Collegno, IT).&nbsp; https://www.lavanderiaavapore.eu/events/evening-school-on-care-on-mobilisation/?occurrence=2023-11-02 _Participation at Robe da Matt* 2023, festival on neurodivergency; at Nora Book and Coffee, Turin.&nbsp; _Public presentation of Leggendarie magazine n.159 “Dal Margine. Fantascienza e nuovi immaginari”, with authors Antonia Caruso, Giuliana Misserville, and Marti del Romano; at Nora, Turin.&nbsp; _Public presentation Eco-Distopia; at Ginger Fest, Condove. _Collective reading, in the context of exhibition Collaps, by Cripta 747; at San Pietro in Vincoli, Turin.&nbsp; _Workshop Diventare Corpi d’Acqua and presentation with Kabul Magazine, in the context of Fluviale festival; at Spazio HYDRO, Biella.&nbsp;https://www.spaziohydro.com/fluviale/ _Presentation for CCC Research-Based Master Programme of Geneva; at Nora, Turin.&nbsp; _Participation at Salone del Libro di Torino, public presentation of “Principesse”, with author Giusi Marchetta; at SalTO, Turin. _Isterika-breackfast with Gloria Bernareggi and Sephira Riva, authors of “Creature dell’Assenza” (Eris Edizioni); at Nora, Turin.&nbsp; _Public presentation Femminismo Nero e Fantascienza, with writers Espérance Hakuzwimana and Grace Fainelli, Black History Month; at Nora, Turin.&nbsp; 2022 _3 sessions series, collaboration with Sara Benaglia; at BACO Base Arte Contemporanea Odierna, Bergamo.&nbsp;https://bacoartecontemporanea.it/mostre/isterika-istorika/ _Participation at Robe da Matt* 2022 (festival on neurodivergency); at Nora, Turin. _Presentation of book “Il mio genere è top secret. Queer and transfeminist sci-fi” (Future Fiction), with Marti del Romano;&nbsp; at Nora, Turin.&nbsp;2021 _Collective zine workshop: at Volumes independent publishing fair, Zurich.&nbsp; <img width="1708" height="750" width_o="1708" height_o="750" data-src="https://freight.cargo.site/t/original/i/74c728ae5699e87454bc37b9ab7a71e5d874dd4fb8cc902d735dc465b5c6be54/banner-72.jpg" data-mid="126320563" border="0" src="https://freight.cargo.site/w/1000/i/74c728ae5699e87454bc37b9ab7a71e5d874dd4fb8cc902d735dc465b5c6be54/banner-72.jpg" /> List of authors includes:&nbsp;Octavia E. Butler, Laura Pugno, Ursula K. Le Guin, Leonora Carrington,&nbsp; Donna Haraway, Guadalupe Nettel, Anna Maria Ortese, Silvia Frederici, Han Kang, Federica Timeto, Joanna Russ, Thomas Gilbert, Susan Palwick, Janette Winterson, Mary Shelley, Naomi Alderman, Rosi Braidotti, Isabel Fall, Paul B. Preciado, Amal El Mohtar, Max Glandstone, Filo Sottile, Tlotlo Tsamaase, N. K. Jemisin, Nicoletta Vallorani, Abbey Mei Otis, Nnedi Okorafor, Carmen Maria Maciado... PRESS_Text on magazine Riguardi, by Denise Cappadonia (italian) https://www.zona42.it/wordpress/zona-42-su-risguardi/ _Interview with the department for youth policies of Bergamo City (italian)https://giovani.bg.it/la-letteratura-fantascientifica-contro-la-violenza-di-genere/ <img width="3000" height="4000" width_o="3000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/788520754aa2e3eb30bf3115eb0d1a9125275c2f05e5cee978b9971b3d2b23db/IMG_20221005_202203.jpg" data-mid="158617250" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/788520754aa2e3eb30bf3115eb0d1a9125275c2f05e5cee978b9971b3d2b23db/IMG_20221005_202203.jpg" /><img width="3000" height="4000" width_o="3000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/4ff7a3be58fe642fb762f5f62c999719d6b936e506f4cd0e59b040aba864228b/IMG_20220525_191941.jpg" data-mid="196385190" border="0" src="https://freight.cargo.site/w/1000/i/4ff7a3be58fe642fb762f5f62c999719d6b936e506f4cd0e59b040aba864228b/IMG_20220525_191941.jpg" />at Nora <img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/7d050fbf2c017ba2336d106ae2be54169f0157a4abfd25af34c8af860f0bf0e1/WhatsApp-Image-2023-11-07-at-23.41.04-4.jpeg" data-mid="196346513" border="0" src="https://freight.cargo.site/w/768/i/7d050fbf2c017ba2336d106ae2be54169f0157a4abfd25af34c8af860f0bf0e1/WhatsApp-Image-2023-11-07-at-23.41.04-4.jpeg" /> <img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/1fcd356ade7db23ed00c073bab2201897697d7bbad9764cdcdd0afa842d0337a/WhatsApp-Image-2023-11-07-at-23.41.03-3.jpeg" data-mid="196346486" border="0" src="https://freight.cargo.site/w/1000/i/1fcd356ade7db23ed00c073bab2201897697d7bbad9764cdcdd0afa842d0337a/WhatsApp-Image-2023-11-07-at-23.41.03-3.jpeg" />at spazio HYDRO <img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/2ac16dd4de0ae020ce573b75992ff5208c2b9ead0d0d99eeb6ce305f0109ba42/IMG-20220525-WA0007.jpg" data-mid="158617371" border="0" src="https://freight.cargo.site/w/1000/i/2ac16dd4de0ae020ce573b75992ff5208c2b9ead0d0d99eeb6ce305f0109ba42/IMG-20220525-WA0007.jpg" />at BACO <img width="3000" height="4000" width_o="3000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/1b0bce8f13e161abd717e2acab08c6d704cf933962b8e3ffc665bc69f8f03061/IMG_20221028_203225.jpg" data-mid="158617418" border="0" src="https://freight.cargo.site/w/1000/i/1b0bce8f13e161abd717e2acab08c6d704cf933962b8e3ffc665bc69f8f03061/IMG_20221028_203225.jpg" /> <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/721d9e287739781852e05e4c0e2d40f2792c5d1ef966946c409c265c2a66c2d2/3_Collapse--Cripta747.jpg" data-mid="196031382" border="0" src="https://freight.cargo.site/w/1000/i/721d9e287739781852e05e4c0e2d40f2792c5d1ef966946c409c265c2a66c2d2/3_Collapse--Cripta747.jpg" /> <img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/a15864a94bb66a0cf029b43f97dd67715baeded92da20834cc0b14b3283ef23c/VIL2023044G3087.jpg" data-mid="196031363" border="0" src="https://freight.cargo.site/w/1000/i/a15864a94bb66a0cf029b43f97dd67715baeded92da20834cc0b14b3283ef23c/VIL2023044G3087.jpg" />at Cripta747 <img width="3000" height="4000" width_o="3000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/2a64b72b3bb6d923585efe1ce88620a67065f49389f05c2e5d9975dbe849c356/IMG_20231102_190944.jpg" data-mid="196036792" border="0" src="https://freight.cargo.site/w/1000/i/2a64b72b3bb6d923585efe1ce88620a67065f49389f05c2e5d9975dbe849c356/IMG_20231102_190944.jpg" />at Lavanderia a Vapore <img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/6d510a40a24edef18a9cb5f1a08b1882da12b4085a24d865d5fa79078b930f85/IMG_20231105_155623.jpg" data-mid="196036894" border="0" src="https://freight.cargo.site/w/1000/i/6d510a40a24edef18a9cb5f1a08b1882da12b4085a24d865d5fa79078b930f85/IMG_20231105_155623.jpg" /> <img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/e92aab3ca43c72dd6645a5f28ce60ac1f245de4ba428fe6048a88dddebaf8571/IMG_20211219_131149.jpg" data-mid="196032875" border="0" src="https://freight.cargo.site/w/1000/i/e92aab3ca43c72dd6645a5f28ce60ac1f245de4ba428fe6048a88dddebaf8571/IMG_20211219_131149.jpg" /> at Volumes, Zurich IT Piattaforma di lettura fantascientifica e attività a cura di Sara Cattin e Caterina Giansiracusa. https://www.instagram.com/isterika_istorika/ Contatto: isterika.istorika@gmail.com Gruppo di lettura mensile a cura di Denise Cappadonia e Marti del Romano presso Nora Book and Coffee, via delle Orfane 24d, Torino (IT). Contatto: Nora Book and Coffee ISTERIKA ISTORIKA è una Piattaforma di condivisione, lettura, e pensiero ad alta voce in cui ascoltare, discutere e interpretare le parole di chi, attraverso la fantascienza e generi affini, si interroga su femminismi di ogni genere, immaginando realtà altre, future, eccentriche, distopiche, aliene, (im)possibili…Avviato nel 2020, ISTERIKA è stato fondato a Torino (IT) da Caterina Giansiracusa, Sara Cattin, Denise Cappadonia e Marti del Romano principalmente come gruppo di lettura mensile presso la libreria queer indipendente Nora Book &amp; Coffee. Il club di lettura è attivo e accessibile contattando la libreria. In quanto projetto a lungo termine, la Piattaforma di ISTERIKA produce attività curate come workshop e installazioni partecipative in diversi contesti, aprendo spazi di studio approfondito che intrecciano la lettura alle pratiche artistiche.Negli anni isterika ha collaborato con BACO Base Arte Contemporanea Odierna (Bergamo), Spazio Hydro (Biella), Salone del Libro di Torino, Cripta 747 e Lavanderia a Vapore (Torino), Edhéa - Valais school of Art (Sierre), Volumes (Zurich), artista performer Tea Andreaoletti (IT).&nbsp; ISTERIKA adotta una metodologia orizzontale e aperta, in cui la conoscenza si costruisce colletivamente e il gruppo rimane sempre aperto a nuove partecipazioni. Senza compiti a casa e attraverso una (non)mediazione volta alla responsabilizzazione individuale, ISTERIKA vuole di ridurre la performatività dell’incontro collettivo proponendo un percorso di ricerca contaminato e non-accademico. La selezione dei titoli è curata intercettando suggestioni e proposte. La bibliografia, sempre in divenire, spazia dalla narrativa alla saggistica, passando per la graphic novel, la poesia e registri letterari ibridi. https://sara-cattin.com/Queste-Oscure-Materie Thu, 11 Jul 2024 12:58:39 +0000 Sara Cattin https://sara-cattin.com/Queste-Oscure-Materie Queste Oscure Materie <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/29b63e0f7c735c4622b5722bbb6b9da9ed01d8f4da074304183430598c108c20/LabAcmos.7.JPG" data-mid="214488832" border="0" src="https://freight.cargo.site/w/1000/i/29b63e0f7c735c4622b5722bbb6b9da9ed01d8f4da074304183430598c108c20/LabAcmos.7.JPG" />Conceived and realized by Sara Cattin. Consultancy Valentina Roselli and Caterina Giansiracusa; assistance and documentation during workshops Valentina Roselli, Caterina Giansiracusa and Alice Sprascio; technical assistance Scuola delle Terrecotte, Ronco Biellese. Exhibition photos by Luca Vianello and Matilde Gusmeroli.&nbsp;In partnership between Almanac, Area Onlus, Acmos.&nbsp; February &gt; March 2024 - workshops with Area Onlus and Acmos, Turin.&nbsp;In view at Almanac Inn (Turin) from 20 June util 14 July 2024.https://almanacprojects.com/exhibitions/queste-oscure-materie <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/1661090adced8ac6bfd1c785fb68f24d26150cbd2e5de9b07d47596f13998251/LabAcmos.4.JPG" data-mid="214488829" border="0" src="https://freight.cargo.site/w/1000/i/1661090adced8ac6bfd1c785fb68f24d26150cbd2e5de9b07d47596f13998251/LabAcmos.4.JPG" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/f8d8f5adc9d13884f27ff26426421f5334678f8cdd89b46c7fe183d65aa2722b/LabAcmos.6.JPG" data-mid="214488831" border="0" src="https://freight.cargo.site/w/1000/i/f8d8f5adc9d13884f27ff26426421f5334678f8cdd89b46c7fe183d65aa2722b/LabAcmos.6.JPG" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/428964df29b0a90d8ef7b1e7d23081f156b2adf59b5c75617c928dae17472ac3/LabArea.4.JPG" data-mid="214488834" border="0" src="https://freight.cargo.site/w/1000/i/428964df29b0a90d8ef7b1e7d23081f156b2adf59b5c75617c928dae17472ac3/LabArea.4.JPG" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/28e7a1b42325ddefdc7f60a383dcefd59c6f3fd08dc128237604dda511f2a49a/LabAcmos.2.JPG" data-mid="214488828" border="0" src="https://freight.cargo.site/w/1000/i/28e7a1b42325ddefdc7f60a383dcefd59c6f3fd08dc128237604dda511f2a49a/LabAcmos.2.JPG" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/c6fd4be13c9d1e92937cbfd5be4e7d5d5bb996ee3929830831bce9f835ff70dd/LabAcmos.1.JPG" data-mid="214488827" border="0" src="https://freight.cargo.site/w/1000/i/c6fd4be13c9d1e92937cbfd5be4e7d5d5bb996ee3929830831bce9f835ff70dd/LabAcmos.1.JPG" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/6a43ff734df9e491e360bb302b5d4a8836a0ff937238cb69b23440fd16786c9b/LabArea.5.JPG" data-mid="214488833" border="0" src="https://freight.cargo.site/w/1000/i/6a43ff734df9e491e360bb302b5d4a8836a0ff937238cb69b23440fd16786c9b/LabArea.5.JPG" />EN Queste Oscure Materie has been a workshop journey into an unknown and viscous territory for children and young people who encountered for the first time the manipulation of the imagination that lies between the fantastical and the real, learning from their hands what they think and teaching them to imagine. Queste Oscure Materie is also the title of Philip Pullman's fantasy trilogy whose first volume, Northern Lights, introduces the ancient concept of the daimon, or, in the novel, animals that accompany each person from birth to death, sharing thoughts, experiences and the entirety of their soul. The project has been developed in two parallel clay manipulation workshops, in collaboration with Associazione Acmos, which in the Barriera di Milano district of Turin focuses on inclusion and creative participation, and with Area Onlus, which supports children and young people with motor disabilities and neurodivergence. In the novel, no one knows true solitude as it is impossible to be separated from their dæmons, which change their animal form based on the context, landscape, climate, and necessity: when Lyra Belacqua, the protagonist, secretly speaks to her daimon, Pantalaimon becomes a moth, making her lip language expressions and signs intelligible; when they are in the icy northern desert, he becomes a snow cat; when he and Lyra rest, he returns to being an ermine. Clay does not know error. Just as a daimon stabilizes itself only when it becomes an adult together with its companion, clay can be a presence capable of accompanying an almost infinite transformation. With the children and young people of Area, we focused on the sensoriality of the material, learning simple techniques to feel the limits and potentials of our hands and the material itself. From a flat dimension, we worked towards three-dimensionality, which in therapeutic terms is defined as 'standing up.' With the participants and operators of Acmos, we explored the concept of the imprint. From the mark of the hands, to that of the room, to the paw prints in all of Pantalaimon’s mutations. We traveled between the abstract and the figurative dimensions, where everyone introduced their own hybrid or animalistic imagination, inspired by anime, the real world, and cinema. The two groups also worked collectively by passing materials and artifacts between them. At Area, we created the colors that were used at Acmos in the process of constructing the paws; at Acmos, we created the slab marked with lines which was used at Area to create an almost impossible-to-reassemble puzzle-landscape. <img width="7054" height="4703" width_o="7054" height_o="4703" data-src="https://freight.cargo.site/t/original/i/daa29353ba0ccd8199bad07ee0ca2b0e371ceeec6fdf5950b215c61861c0a17e/_VIL2968.jpg" data-mid="214488900" border="0" src="https://freight.cargo.site/w/1000/i/daa29353ba0ccd8199bad07ee0ca2b0e371ceeec6fdf5950b215c61861c0a17e/_VIL2968.jpg" /> <img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/957c52937958a8d44844776e1dd4213119b7eba9063f29c14bea7d49c801380a/_VIL2991.jpg" data-mid="214488902" border="0" src="https://freight.cargo.site/w/1000/i/957c52937958a8d44844776e1dd4213119b7eba9063f29c14bea7d49c801380a/_VIL2991.jpg" /> <img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/7f82cbf50ce75f73e42e71d141f6c6c5e94e35b0b8a76bef3eba3f563b079ad0/_VIL2993.jpg" data-mid="214488904" border="0" src="https://freight.cargo.site/w/1000/i/7f82cbf50ce75f73e42e71d141f6c6c5e94e35b0b8a76bef3eba3f563b079ad0/_VIL2993.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/1547b7d7e3de7d67109613edbf0cb997586766a6d4b88dfe0d8a0e960cc88e63/_VIL2975.jpg" data-mid="214488901" border="0" src="https://freight.cargo.site/w/1000/i/1547b7d7e3de7d67109613edbf0cb997586766a6d4b88dfe0d8a0e960cc88e63/_VIL2975.jpg" /> <img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/9ca6674b6b8b9bfca7e65847373fd6102f8090a7b65b5eb3c6c2e24729c60bcc/_VIL3019.jpg" data-mid="214488908" border="0" src="https://freight.cargo.site/w/1000/i/9ca6674b6b8b9bfca7e65847373fd6102f8090a7b65b5eb3c6c2e24729c60bcc/_VIL3019.jpg" /> <img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/94db2dbcfa1ad46e2acffb07155ea431903d718583d21f5d121e923a81690d0b/_VIL3026.jpg" data-mid="214488913" border="0" src="https://freight.cargo.site/w/1000/i/94db2dbcfa1ad46e2acffb07155ea431903d718583d21f5d121e923a81690d0b/_VIL3026.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/8d64dcc5fff0a6a0711d440f4a42a1458889d5cf9fb9c999d4d4c645c2f6df02/_VIL3013.jpg" data-mid="214488910" border="0" src="https://freight.cargo.site/w/1000/i/8d64dcc5fff0a6a0711d440f4a42a1458889d5cf9fb9c999d4d4c645c2f6df02/_VIL3013.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/52d80237f45361b2fa518672da789a128d165c0595406c9f8f0049f10059ff93/_VIL3051.jpg" data-mid="214488912" border="0" src="https://freight.cargo.site/w/1000/i/52d80237f45361b2fa518672da789a128d165c0595406c9f8f0049f10059ff93/_VIL3051.jpg" /> <img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/6e79885d0bf92465e0b483d6d3b12da421a892f51ef6908ee8b659f02292d72a/_VIL3046.jpg" data-mid="214488906" border="0" src="https://freight.cargo.site/w/1000/i/6e79885d0bf92465e0b483d6d3b12da421a892f51ef6908ee8b659f02292d72a/_VIL3046.jpg" /> <img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/96bfd7e99c3d1875b948f10e54f0440c777607fded9dfc69724b62b67e34035e/_VIL2998.jpg" data-mid="214488905" border="0" src="https://freight.cargo.site/w/1000/i/96bfd7e99c3d1875b948f10e54f0440c777607fded9dfc69724b62b67e34035e/_VIL2998.jpg" /> IT Queste Oscure Materie è stato un percorso laboratoriale in territorio ignoto e vischioso per bambinɜ e ragazzɜ che hanno incontrato per la prima volta la manipolazione dell’immaginario che sta tra il fantastico e il reale, imparando dalle mani ciò che esse pensano e insegnano ad immaginare. Queste Oscure Materie è anche il titolo della trilogia fantasy di Philip Pullman il cui primo volume La Bussola d’Oro introduce l’antico concetto del daimon, ovvero, nel romanzo, animali che accompagnano ogni persona dalla nascita alla morte, condividendo pensieri, esperienze e il complesso dell’intera anima. Il progetto si è sviluppato in due laboratori paralleli di manipolazione dell’argilla, insieme all’Associazione Acmos, che nel quartiere torinese Barriera di Milano si occupa di inclusione e partecipazione creativa, e ad Area Onlus, che accoglie bambinɜ e ragazzɜ con disabilità motoria e neuro divergenza. Nel romanzo, nessuno conosce la vera solitudine in quanto è impossibile separarsi dai propri daimon, che infatti mutano la loro forma animale in base al contesto, al paesaggio, al clima, alla necessità: quando Lyra Belacqua, la protagonista, parla in segreto al suo daimon, Pantalaimon diventa una falena, così da rendere intelligibili espressioni e segni del linguaggio labiale; quando si trovano nel deserto di ghiaccio del Nord, diventa un gatto delle nevi; quando lui e Lyra si riposano, torna ad essere un ermellino. L’argilla non conosce l’errore. Come il daimon si stabilizza solo quando diventa adulto insieme alla sua persona, la materia argillosa può essere una presenza capace di accompagnare un mutamento quasi infinito. Con lɜ bambinɜ e ragazzɜ di Area ci siamo concentratɜ sulla sensorialità del materiale, imparando semplici tecniche per poter sentire limiti e potenzialità della mano e del materiale in sé. Da una dimensione piatta si è lavorato in direzione di una tridimensionalità, ovvero verso ciò che, in campo terapeutico, viene definito il “tirarsi in piedi”. Con lɜ partecipanti e operatorɜ di Acmos è stato fatto un percorso di esplorazione dell’impronta. Dal segno delle mani, a quello della stanza, alle impronte delle zampe in tutte le mutazioni di Pantalaimon. Abbiamo viaggiato tra la dimensione astratta e quella figurativa, in cui ognunǝ ha introdotto il proprio immaginario ibrido o animalesco, ispirato dagli anime, dal mondo reale e cinematografico. I due gruppi hanno lavorato anche collettivamente passandosi materiali e manufatti. Ad Area abbiamo creato i colori che ad Acmos abbiamo usato nel processo di costruzione delle zampe; ad Acmos abbiamo creato la lastra segnata di linee con cui, ad Area, abbiamo creato un puzzle-paesaggio quasi impossibile da ricomporre. https://sara-cattin.com/Maintenance-of-What Tue, 20 Oct 2020 14:59:17 +0000 Sara Cattin https://sara-cattin.com/Maintenance-of-What Maintenance of What? <img width="4096" height="2304" width_o="4096" height_o="2304" data-src="https://freight.cargo.site/t/original/i/fd00bc5ceeec0c0a992492876e506541691917a40a46c0c10a28a4304aba2efc/panorama-libro-coltello.jpg" data-mid="216602800" border="0" src="https://freight.cargo.site/w/1000/i/fd00bc5ceeec0c0a992492876e506541691917a40a46c0c10a28a4304aba2efc/panorama-libro-coltello.jpg" /> Part I&nbsp;November 2018 - DAI Kitchen Presentation, ArnhemPerformative reading (dialogue), performed by Matthieu Blond (Sara: S) and Sara Cattin (Gregorio: G). Duration 20 min.Video: https://vimeo.com/309137069 Part II&nbsp; May 2019 - DAI Graduation Acts Performive reading (dialogue), performed by Olivia Arbacheli (Sara: S), Matthieu Blond (Sara: S) and Sara Cattin (Anonymous: X, Andrea: A), sound by Nicolò Tescari. Duration 25 min. Workshop May 2022 - VOCI IN CAMMINO (walking voices) Presentation&nbsp;May 2023 - at Bulegoa z/b, Bilbao (Spain) I &amp; II <img width="2534" height="1428" width_o="2534" height_o="1428" data-src="https://freight.cargo.site/t/original/i/522ff05b9fb75ef322528e3a92881a14440419a7bc5b43bc9adb1d64de516c3f/Screen-Shot-2018-12-17-at-22.41.42.png" data-mid="86153115" border="0" src="https://freight.cargo.site/w/1000/i/522ff05b9fb75ef322528e3a92881a14440419a7bc5b43bc9adb1d64de516c3f/Screen-Shot-2018-12-17-at-22.41.42.png" /> This series of performances is part of broader research on transhumant pastoralism I started in 2018, conducting interviews with various people who work and live within the valleys of the province of Biella, the mountainous area in the North-West of Italy where I live and come from. Part of this research is the MA thesis Reconnect, and Stay Alive. Leaving behind the idea of domain at the passage of roaming shepherds&nbsp;bublished at&nbsp;https://www.neroeditions.com/staying-with-the-shepherd/ <img width="2372" height="1294" width_o="2372" height_o="1294" data-src="https://freight.cargo.site/t/original/i/51bcec35cefe002a9a4ae50e73c402733ee8f051786736636e0faa0c229ba07d/Schermata-2022-11-14-alle-12.25.48.png" data-mid="158950752" border="0" src="https://freight.cargo.site/w/1000/i/51bcec35cefe002a9a4ae50e73c402733ee8f051786736636e0faa0c229ba07d/Schermata-2022-11-14-alle-12.25.48.png" /> Transhumant pastoralism is a kind of semi-nomadic pastoral activity that raises animals while moving between the mountain tops and the low lands with a seasonal rhythm. In Biella, transhumant pastoralism shares its traditional territorial identity with the world of the capitalistic industry. In Maintenance of What? I transformed the recording of the conversations I had with young shepherds into scripts. Questions go from “Do you listen to music when you are at the grazing?” to “What does it mean to maintain a mountain?” and “How does Europe undermine your autonomy?”. &nbsp;The aim of the interviews is to learn about those embodied practices that are able to reconnect humanity to a physical reality, looking at things directly from the point of view of who works with land and navigates the web of private and public land property. By performing the scripts the project aims to create a collective moment for learning through the voices of those seeking for a social amplifier. &nbsp; <img width="2785" height="4169" width_o="2785" height_o="4169" data-src="https://freight.cargo.site/t/original/i/1669c24d07631e486db36a5aa12fac1246223757c4cc367ff19d9e7375a20d12/DSC04454.jpg" data-mid="86153116" border="0" src="https://freight.cargo.site/w/1000/i/1669c24d07631e486db36a5aa12fac1246223757c4cc367ff19d9e7375a20d12/DSC04454.jpg" /> From the interviews: S: Hi Gregorio! <img width="756" height="1344" width_o="756" height_o="1344" data-src="https://freight.cargo.site/t/original/i/9fc205c67e460486cea37cda0eabed71a3ff8f362b33227384ac348a8839965a/IMG-20190715-WA0020.jpg" data-mid="158959348" border="0" src="https://freight.cargo.site/w/756/i/9fc205c67e460486cea37cda0eabed71a3ff8f362b33227384ac348a8839965a/IMG-20190715-WA0020.jpg" /> G: Hi Sara. S: Do you wear a watch? G: No. I’m allergic to time, and the phone too. S: And do you like photography? G: I almost never let people photograph me. S: How long does your day last? At what time do you start? G: When the light wakes me! I wake up with the sunrise and when the sunset comes I go to sleep. &nbsp; (…) <img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/d90eeb2370264e02d7d9176efa20ffd2e4a92e7472a97c018f45aa7240977129/WhatsApp-Image-2019-05-24-at-22.14.27.jpeg" data-mid="86153114" border="0" src="https://freight.cargo.site/w/1000/i/d90eeb2370264e02d7d9176efa20ffd2e4a92e7472a97c018f45aa7240977129/WhatsApp-Image-2019-05-24-at-22.14.27.jpeg" /> (…) X: Because when they are there all together you can hear them eating. If you are careful you don’t hear anything. But if you stay closer you hear a chaos, the noise they do. That’s the best part. Then you have a lot of moments in which you just think. You think… but it’s healthier… S: Healthier than what? (…)<img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/3b9552b52d210fff92f55fa90261dfe06cc0d5aceceeb5637a3127ebbcecb9aa/DSC09414.JPG" data-mid="216160193" border="0" src="https://freight.cargo.site/w/1000/i/3b9552b52d210fff92f55fa90261dfe06cc0d5aceceeb5637a3127ebbcecb9aa/DSC09414.JPG" /> the shepherds agree to the terms in which their words will be used <img width="4096" height="2304" width_o="4096" height_o="2304" data-src="https://freight.cargo.site/t/original/i/26e7a45fdc5b7985b8c1b9f88ae5074a365df203af288d467dc15edf011df59b/DSC_0050.JPG" data-mid="158959865" border="0" src="https://freight.cargo.site/w/1000/i/26e7a45fdc5b7985b8c1b9f88ae5074a365df203af288d467dc15edf011df59b/DSC_0050.JPG" /> workshop In 2022 the project developed into a workshop in collaboration with the secondary school of Lessona (Biella, Italy). The aim was to learn about shepherds’ relationship to the environment through a day of interviews, while accompanying the spring transhumance of the Croso family to Val Sessera (Biella, Italy). The enquiry wants to investigate the relationship between walkers and pets, shepherds and live stock; the perception of a humanised “natural” environment; the concept of “guesting”: who is guiding who? Are the animals giuding us? Are we accompaining the shepherd or is he/she letting us to follow them? The interviews happened while walking, guided by a set of visual and written guidelines that require the use of intuition and improvisation. <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/3d187800467ca749a07958004f3b12c578f507b8e5e0cb4982f09e65c3d77d80/DSC08602.JPG" data-mid="216159304" border="0" src="https://freight.cargo.site/w/1000/i/3d187800467ca749a07958004f3b12c578f507b8e5e0cb4982f09e65c3d77d80/DSC08602.JPG" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/2a08b612d9217fd9767df4ef92df13a7170c08f1d3f68662ea11cc95b4141838/DSC08575.JPG" data-mid="216159314" border="0" src="https://freight.cargo.site/w/1000/i/2a08b612d9217fd9767df4ef92df13a7170c08f1d3f68662ea11cc95b4141838/DSC08575.JPG" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/001e276dfcf9818feaed26f2939f95861940591f68f26b2d45f16752a7c4df2c/DSC08624.JPG" data-mid="216159313" border="0" src="https://freight.cargo.site/w/1000/i/001e276dfcf9818feaed26f2939f95861940591f68f26b2d45f16752a7c4df2c/DSC08624.JPG" /> Hystorical-social context: the workshop took place during the event Transumando organised by DocBI (research center of Biella) and Oasi Zegna. The Zegna Group is an industrial establishment that between 1800 and 1900 constructed the road that connects the hight valley to the low lands, detenaning property over the natural area. Transumando invites people to embrace the ancient tradition of accompanying the shepherds in their seasonal trip from the city to the mountain pastures. The Zegna family established industrial production of wool textile and male garments shaping the Valley’s landscape and pastoral society since 1910. Ermenegildo Zegna lead the Biellese XX century heavy industrialization and the Made in Italy textile production - high quality cashmere and merinos imported from Australia and Asia through british colonial trades - leaving a clear mark of how industrial capitalist ideology owns the rightto disrupt social and environmental ecologies. Since the earliest downfall of the industrial era, Biella had been transforming into a decadent scenario of abandoned lands and closed factories; the Sessera Valley, extracted of organic material and workforce, is now highly anthropical and exploited by organised turism <img width="1988" height="1362" width_o="1988" height_o="1362" data-src="https://freight.cargo.site/t/original/i/82479caf03a7a391c15a3bdc95d6d963b0229555e8f44fb75b0687164f23bcb2/Schermata-2024-08-11-alle-14.50.33.png" data-mid="216159322" border="0" src="https://freight.cargo.site/w/1000/i/82479caf03a7a391c15a3bdc95d6d963b0229555e8f44fb75b0687164f23bcb2/Schermata-2024-08-11-alle-14.50.33.png" /> presentation Before starting the one month of residency in 2023 at Bulegoa z/b (Bilbao), I first presented the project looking through my own geographical perspective, highlighting the relationship between nomadic pastoralis, the extraction of natural resources and labour by the idustries, and the unique kinship between the worlds of pre-capital an the one of the heavy indutry of the XX sentury. While performing the shepherds interviews, I showed drawings, videos, and textiles that were mentioned in the text, and served the water of the brand Lauretana extracted in the Biella valley. <img width="6000" height="3368" width_o="6000" height_o="3368" data-src="https://freight.cargo.site/t/original/i/8a77c9e1adddaad54114a59df980470ae24e8e412b7e44604ab1a525dde22734/IMG_4437.JPG" data-mid="216160197" border="0" src="https://freight.cargo.site/w/1000/i/8a77c9e1adddaad54114a59df980470ae24e8e412b7e44604ab1a525dde22734/IMG_4437.JPG" /> <img width="6000" height="3368" width_o="6000" height_o="3368" data-src="https://freight.cargo.site/t/original/i/134392276704deada385c5006b37f84f4d99df692bfc434c741e0c69b0aada0c/IMG_4461.JPG" data-mid="216160198" border="0" src="https://freight.cargo.site/w/1000/i/134392276704deada385c5006b37f84f4d99df692bfc434c741e0c69b0aada0c/IMG_4461.JPG" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/8675e4a3f7adf4f25234345b4b974757ce7064d7d6befd8d4c897e97f953f5fd/DSC09407.JPG" data-mid="216160194" border="0" src="https://freight.cargo.site/w/1000/i/8675e4a3f7adf4f25234345b4b974757ce7064d7d6befd8d4c897e97f953f5fd/DSC09407.JPG" /><img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/a588c0ce36ef3f8bd436a5a6f90f5aaeaf8916a4d8bbe6b4db8060df48c21973/DSC09421.JPG" data-mid="216160195" border="0" src="https://freight.cargo.site/w/1000/i/a588c0ce36ef3f8bd436a5a6f90f5aaeaf8916a4d8bbe6b4db8060df48c21973/DSC09421.JPG" /> <img width="6000" height="3368" width_o="6000" height_o="3368" data-src="https://freight.cargo.site/t/original/i/63e6e91361f0abda00b94e14c0d6699f1a5fae942ac6227988af2005259ed4b5/IMG_4496.JPG" data-mid="216160854" border="0" src="https://freight.cargo.site/w/1000/i/63e6e91361f0abda00b94e14c0d6699f1a5fae942ac6227988af2005259ed4b5/IMG_4496.JPG" /><img width="6000" height="3368" width_o="6000" height_o="3368" data-src="https://freight.cargo.site/t/original/i/d15d79f52322a6cfeb353b8eaf05e4104dcc1f415120eec72761168edd635579/IMG_4495.JPG" data-mid="216160204" border="0" src="https://freight.cargo.site/w/1000/i/d15d79f52322a6cfeb353b8eaf05e4104dcc1f415120eec72761168edd635579/IMG_4495.JPG" /> <img width="6000" height="3368" width_o="6000" height_o="3368" data-src="https://freight.cargo.site/t/original/i/7a4c36c99a0cdd63135e4ed91da42bdf10c8d337cae2024ebe5ab1f6519c778a/IMG_4472.JPG" data-mid="216160200" border="0" src="https://freight.cargo.site/w/1000/i/7a4c36c99a0cdd63135e4ed91da42bdf10c8d337cae2024ebe5ab1f6519c778a/IMG_4472.JPG" /> <img width="6000" height="3368" width_o="6000" height_o="3368" data-src="https://freight.cargo.site/t/original/i/693bcb9231bde5dce9ce1afbd4635db3120c8f0239fe055054f44266693ac4fd/IMG_4458.JPG" data-mid="216160853" border="0" src="https://freight.cargo.site/w/1000/i/693bcb9231bde5dce9ce1afbd4635db3120c8f0239fe055054f44266693ac4fd/IMG_4458.JPG" /> <img width="6000" height="3368" width_o="6000" height_o="3368" data-src="https://freight.cargo.site/t/original/i/afc4ad920c9352e834d4f89c49ba0fed46319b7b8bf5842b734fed5daddcd142/IMG_4479-copia.jpg" data-mid="216160201" border="0" src="https://freight.cargo.site/w/1000/i/afc4ad920c9352e834d4f89c49ba0fed46319b7b8bf5842b734fed5daddcd142/IMG_4479-copia.jpg" /><img width="6000" height="3368" width_o="6000" height_o="3368" data-src="https://freight.cargo.site/t/original/i/92d46c930cf88e9a0b394c71cfd5103a6bb8ac5d4bb4b3d2b5f4699d3ac8d868/IMG_4486.JPG" data-mid="216160203" border="0" src="https://freight.cargo.site/w/1000/i/92d46c930cf88e9a0b394c71cfd5103a6bb8ac5d4bb4b3d2b5f4699d3ac8d868/IMG_4486.JPG" /> https://sara-cattin.com/Maintenance-of-What-Part-III Mon, 06 Nov 2023 17:16:34 +0000 Sara Cattin https://sara-cattin.com/Maintenance-of-What-Part-III Maintenance of What? A place, a thing, an ideaIIIMarch 2023 - Boulegoa z/b, Bilbao (Spain) Residency, open call 2022Opening: https://bulegoa.org/en/sara-cattin-maintenance- of-what-a-place-a-thing-an-idea-part-iii-2/ <img width="4488" height="2992" width_o="4488" height_o="2992" data-src="https://freight.cargo.site/t/original/i/5c5723dc6e43e5c654e88fa4f0fa4f7c6982faa36821c6a8163a5c99e97171c4/filo-lana-museo.jpg" data-mid="219604713" border="0" src="https://freight.cargo.site/w/1000/i/5c5723dc6e43e5c654e88fa4f0fa4f7c6982faa36821c6a8163a5c99e97171c4/filo-lana-museo.jpg" /> Maintenance of What? A place, a thing, an idea is a project I started in 2018 at the Dutch Art Institute. It’s a broad research on the context of nomadic and semi- nomadic pastoralism –meaning tranhumant– and its powerful engagement with the maintenance of natural resources throughout extended geographies, disrupting the barriers imposed by private land property and law. <img width="6000" height="3368" width_o="6000" height_o="3368" data-src="https://freight.cargo.site/t/original/i/3b6bc738ea8ff1db38d4b3f762c333fcb0fba64aee6a2321c48e5c15c6f42bd2/IMG_4619.JPG" data-mid="219604826" border="0" src="https://freight.cargo.site/w/1000/i/3b6bc738ea8ff1db38d4b3f762c333fcb0fba64aee6a2321c48e5c15c6f42bd2/IMG_4619.JPG" /> In the one month residency at Buleoga z/b I gave it the chance to take a different direction. The Basque Countries didin’t hold on to a tradition of extended transhumances because land division doesn’t hallow easy passage of live stock. Pastoral properties are not very large so shephers preactice “transmitencia” meaning fast and short movements to an other location near by, for example to a higher grazing for the all summer.Nevertheless, I soon had again the reassurance that pastoral cultures communicate to eachother from over the world. Nomadic shepherding didn’t radically transformed throughout the millenials as much as it holds on to incredible similaries everywhere. Thereis the feeling that shepherds can understand eachother even if practicing within culures that come from very different roots. The research transformed into the game of “finding the shepherd”, no matter in what form:I found people, artists, artworks, researchers, stories, businesses, friends, animals, families, and books. <img width="6000" height="3368" width_o="6000" height_o="3368" data-src="https://freight.cargo.site/t/original/i/a73c6ad7fd563d09e44ff098f43a464c66c7551276efc7570f25d0da7fde57d2/IMG_4670.JPG" data-mid="219604717" border="0" src="https://freight.cargo.site/w/1000/i/a73c6ad7fd563d09e44ff098f43a464c66c7551276efc7570f25d0da7fde57d2/IMG_4670.JPG" /> Elena Galan had been one of my main sources. She’s a researcher on chilmate change and agricultural policies in the Basque Countries, and she’s a shepherd as well. In the Summer she goes to the French Navarre with her dog Oki to take care of a flock on a mountain. Through Elena I’ve learned about researches that study sheep intelligence through their pattern of movements. She also introduced me to other young women who traver the world while studying and being shepherds, advocating for climate justice and sustainability within a large social web. Our conversation is recorded in an aoudio piece and translated into “written maps”. PEOPLE AS TERRITORIES <img width="6000" height="3368" width_o="6000" height_o="3368" data-src="https://freight.cargo.site/t/original/i/7f680bbda3f6d1302725a32616b8454637f04b354a9b40e81597926153ee10fc/IMG_4620.JPG" data-mid="219604827" border="0" src="https://freight.cargo.site/w/1000/i/7f680bbda3f6d1302725a32616b8454637f04b354a9b40e81597926153ee10fc/IMG_4620.JPG" /> Video work (in progress)&nbsp;IN THE TERRITORY OF ELENA GALAN. Through Elena I discovered the book of Sandra Ott “The Circleof Mountains. A basque shepherding community”, publishedin 1981. This etnographic research is her PHD and one of the greatest books written on basque pastoral culture. In the villageof Sainte-Engrace, in the southeastern corner of Soule (France), a community sturvived for centuries with a strict system of social and labor roles based on rotation and replacement. Elena introduced me to her way of shepherding and taking care of animals in connection to practices such drawing and weaving, ways of archiving, reducing to the minimum, and other things. Her note book looked like an artwork to me. I also encountered the audio and praphic work of the basque artist Nader Kootchaki on bells “Dorsal Landscape”. As he narrated to me, he had met Sandra Ott himself while visiting Sainte-Engrace for producing a commissioned artwork. <img width="6000" height="3368" width_o="6000" height_o="3368" data-src="https://freight.cargo.site/t/original/i/4e8b26cc0fbd0c58c866c874a1825368bf925d647d627bfacef7f69d51c7623b/IMG_4588.JPG" data-mid="219604740" border="0" src="https://freight.cargo.site/w/1000/i/4e8b26cc0fbd0c58c866c874a1825368bf925d647d627bfacef7f69d51c7623b/IMG_4588.JPG" /> Video work (in progress)&nbsp;A QUESTION OF PRODUCTION AND PRESERVATION.The rest of the research deepened into the material of wool as a primary element that survives human kind and represent life circles. The main part of the video combines the images from the visit to an old wool factory, now closed, with the sound of a guided tour in an underground cave. Both the videos aim to become a video essay. CREDITS AUDIO AND MAPSAudio material from conversation between shepherds and researchers Elena, Zuriñe, and Celia, with Sara.A4 text maps. Wool, 800 gr, by Piral Sebrango (Cantabria), by sheep Bischotkito.Metal, design by Sara Cattin, metal work by Marta Lorenzana.Book, “The Circle of Mountains. A basque shepherding community” by Sandra Ott (Univerity of Nevada Press, 1993). IN THE TERRITORY OF ELENA GALÁNVideo, audio, 7’ 40’’ (work in progress)Drawings and text (English) by Sara Cattin; voice Carla Tapparo; translation to Spanish and Basque by Bulegoa.The content had been developed in relation to the work and research of Elena Galán (Postdoctoral Researcher at Basque Center for Climate Change, shepherd) and Nader Kootchaki (sound artist), and in relation to the text “The Circle of Mountains. A basque shepherding community” by Sandra Ott (Univerity of Nevada Press, 1993). A QUESTION OF PRODUCTION AND PRESERVATION (working title)Video, audio (work in progress)Images by Sara Cattin and Samuel Ramiro.In the video and audio materials are included: guided visit at La Encartada Fabrika-Museoa (Balmaseda), guided visit at Cueva de Pozalagua (Karrantza), images of an art piece by artist Laurita Siles (Karrantza), conversation with Joseba Edesa at organization Mutur Beltz (Karrantza). A PILY PORTRAITVideo, audio, 4’ 35’’.Images by Sara Cattin.With shepherd Piral Sebrango, Lerones (Cantabria), and Cecilia Hernandez Bellon (Bulegoa, assistant of production). https://sara-cattin.com/Voli-Radicali Wed, 09 Nov 2022 11:21:41 +0000 Sara Cattin https://sara-cattin.com/Voli-Radicali Voli Radicali Radical Airways EN June 2022 - performance by Resta Qui Airlines for Cross Festival 2022, Ameno (IT). Performers: Sara Cattin, Kim Forni / With the participation of author and cook Eleonora Matarrese / With the support of communication assistant for sensory disabilities Veronica Lumazza / Original music and sound design by Tommaso Esposito. With the contribution of Nik and Piggi in the polyphonic choir / With the participation of the “Youth Councils'' (CCR) of Armeno, Invorio, Gozzano and Orta from the project “Sentieri di Partecipazione” by DragoLago (flags of transitorial occupation).Production support by Cross Festival. https://crossfestival.it/events/voli-radicali/23rd of June 2022, Lido di Ameno; 24th of June, Museo Tornielli, Ameno. <img width="1498" height="1240" width_o="1498" height_o="1240" data-src="https://freight.cargo.site/t/original/i/62f8a69daa56bac2d27137191b58af94524584a3724dfd7024bc882ea59320ef/Screen-Shot-2017-09-12-at-11.13.15.png" data-mid="214536859" border="0" src="https://freight.cargo.site/w/1000/i/62f8a69daa56bac2d27137191b58af94524584a3724dfd7024bc882ea59320ef/Screen-Shot-2017-09-12-at-11.13.15.png" /> <img width="3126" height="1756" width_o="3126" height_o="1756" data-src="https://freight.cargo.site/t/original/i/c6657c2484e6278f673e1625c4490e3c1f55e6c75a268f75671813f75c945ee6/Schermata-2022-09-12-alle-12.32.58-copia.jpg" data-mid="158481812" border="0" src="https://freight.cargo.site/w/1000/i/c6657c2484e6278f673e1625c4490e3c1f55e6c75a268f75671813f75c945ee6/Schermata-2022-09-12-alle-12.32.58-copia.jpg" /> Voli Radicali is an imaginative trip through the connection that humans establish with foreign plant species able to radicate in new ecologies by subverting the ecological status quo. The protagonist of this flight by Resta Qui Airlines is the alien invasive species Reynoutria Japonica. Also called Japanese Knot, in the last decades this ryzomatic species was found to be invasive in many fluvial geographies of Italy and Europe. No exeption is the area along the Agogna river, in the village of Ameno (Lake Orta area). How do we relate to our local, known ecology when this is a hybrid of global, colonial trades and capitalist migrations?What is the relationship between an “exotic” elsewhere and the wilderness surrounding our localities? What do we mean for wilderness and where do we go when we are looking for it? Why do we look for the wild id the first place?And what’s our desire to grow roots?&nbsp; The work is a choreography of text, gestures, LIS signs (Italian sign language), and sound performed by two flight attendants. The stage and the view is a composition of sculptural elements. Cook and researcher of wild plants ecologies Eleonora Matarrese participated by preparing a special menù of appetizers and syrups made of Reynoutria Japonica.Resta Qui Airlines · CASA_voli radicali_coro Resta Qui Airlines’ performative pretext is a constant game contrapposing an hi-tech model of transportation (the airline company) to a slow observation and materialist imagination of organic movements. Voli Radicali wants to evoke a new perception of “wilderness” that can deepen our relation of interdependence with plants and the complexity of non-cerebral subjects. <img width="3122" height="1752" width_o="3122" height_o="1752" data-src="https://freight.cargo.site/t/original/i/bf4d7587a04d7c2b69d16e06cb60471ac8308c4160a22aa70990005dd612617e/Schermata-2022-09-12-alle-12.54.07-copia.jpg" data-mid="158481803" border="0" src="https://freight.cargo.site/w/1000/i/bf4d7587a04d7c2b69d16e06cb60471ac8308c4160a22aa70990005dd612617e/Schermata-2022-09-12-alle-12.54.07-copia.jpg" /> <img width="3126" height="1760" width_o="3126" height_o="1760" data-src="https://freight.cargo.site/t/original/i/cb7deeb5aded1942994c06846db32f28496da1d77a223ef260e164e39bc2018c/Schermata-2022-09-12-alle-12.51.31.jpg" data-mid="158482231" border="0" src="https://freight.cargo.site/w/1000/i/cb7deeb5aded1942994c06846db32f28496da1d77a223ef260e164e39bc2018c/Schermata-2022-09-12-alle-12.51.31.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/832ae745c5fdad771d38e1947a00b3827e8cef628ce85147b8d676729a52b98f/DSC08063.jpg" data-mid="158481815" border="0" src="https://freight.cargo.site/w/1000/i/832ae745c5fdad771d38e1947a00b3827e8cef628ce85147b8d676729a52b98f/DSC08063.jpg" /><img width="3126" height="1754" width_o="3126" height_o="1754" data-src="https://freight.cargo.site/t/original/i/4e2b0e791588b46d29ac0086224fc39701c3eb3eb225c26afe8ea00b6b924dcd/Schermata-2022-09-12-alle-12.43.55-copia.jpg" data-mid="158481806" border="0" src="https://freight.cargo.site/w/1000/i/4e2b0e791588b46d29ac0086224fc39701c3eb3eb225c26afe8ea00b6b924dcd/Schermata-2022-09-12-alle-12.43.55-copia.jpg" /><img width="3126" height="1750" width_o="3126" height_o="1750" data-src="https://freight.cargo.site/t/original/i/8fb1e8b943349eaff503c55e81f1ef6714debdb32583e0a8b0eedb1fbde4b23f/Schermata-2022-09-12-alle-13.10.35-copia.jpg" data-mid="158481800" border="0" src="https://freight.cargo.site/w/1000/i/8fb1e8b943349eaff503c55e81f1ef6714debdb32583e0a8b0eedb1fbde4b23f/Schermata-2022-09-12-alle-13.10.35-copia.jpg" /><img width="3120" height="1748" width_o="3120" height_o="1748" data-src="https://freight.cargo.site/t/original/i/2311cc308c642c7d2add06c9bc3034da308a85fd948157f4f8d581de1cee304c/Schermata-2022-09-12-alle-13.00.30-copia.jpg" data-mid="158481802" border="0" src="https://freight.cargo.site/w/1000/i/2311cc308c642c7d2add06c9bc3034da308a85fd948157f4f8d581de1cee304c/Schermata-2022-09-12-alle-13.00.30-copia.jpg" /><img width="2984" height="1672" width_o="2984" height_o="1672" data-src="https://freight.cargo.site/t/original/i/092db7d2384d421d2d4a8c3d6f30c64b727a814851d9b0f5d362c903c72b1513/Schermata-2022-09-12-alle-13.05.36-copia.jpg" data-mid="158481801" border="0" src="https://freight.cargo.site/w/1000/i/092db7d2384d421d2d4a8c3d6f30c64b727a814851d9b0f5d362c903c72b1513/Schermata-2022-09-12-alle-13.05.36-copia.jpg" /><img width="3128" 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height_o="1090" data-src="https://freight.cargo.site/t/original/i/9ec5eee2e6c0f9bc52b91bd7bb2d3a260392cd17b2fc6b8fe3d72610477251a0/IMG-20220624-WA0025-copia.jpg" data-mid="158486005" border="0" src="https://freight.cargo.site/w/1000/i/9ec5eee2e6c0f9bc52b91bd7bb2d3a260392cd17b2fc6b8fe3d72610477251a0/IMG-20220624-WA0025-copia.jpg" /><img width="1917" height="1438" width_o="1917" height_o="1438" data-src="https://freight.cargo.site/t/original/i/1a6e2d8705b1512a80ab9301b0466f073d67309422484d91e70bb9b13ad1f291/IMG-20220624-WA0082-copia.jpg" data-mid="158486010" border="0" src="https://freight.cargo.site/w/1000/i/1a6e2d8705b1512a80ab9301b0466f073d67309422484d91e70bb9b13ad1f291/IMG-20220624-WA0082-copia.jpg" /><img width="2016" height="1512" width_o="2016" height_o="1512" data-src="https://freight.cargo.site/t/original/i/e25e77cf8ee47ceb7d3a2bcd94b71905ffab029c490acf5a89ce7d44fc28fbf2/IMG-20220625-WA0003.jpg" data-mid="158486182" border="0" 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data-src="https://freight.cargo.site/t/original/i/f5d6eba2166f4aee661097e441ff33319e4e0336be28054c239070be572cfdb9/IMG-20220624-WA0065-copia.jpg" data-mid="158486009" border="0" src="https://freight.cargo.site/w/1000/i/f5d6eba2166f4aee661097e441ff33319e4e0336be28054c239070be572cfdb9/IMG-20220624-WA0065-copia.jpg" /> IT performance - 30 min - Cross Festival 2022 23 Giugno, Lido di Ameno; 24 Giugno, Museo Tornielli, Ameno. Prodotto con il sostegno di Cross Festival. Sound design e composizioni originali di Tommaso Esposito; con il supporto di Veronica Lumazza, assistente alle disabilità sensoriali; con il contributo di Nik e Piggi nei cori polifonici. Installazione: ceramica, argilla, stoffa, carta, metallo, piante; degustazione cibi e bevande aperta al pubblico; microfoni e impianto audio; spazi interni e/o esterni. Voli Radicali è un’azione performativa che invita il pubblico a seguire una lettura e coreografia di gesti, segni, elementi scultorei e composizioni audio in un viaggio immaginativo verso mete esotiche. Talvolta, i luoghi che sogniamo di raggiungere rivelano un paesaggio molto simile a quello che già abitiamo, ovvero un territorio di cui abbiamo modellato forme, funzioni e attività produttive, ma che ora ci appare tanto “selvaggio” da non sapervici più orientare. In questo dialogo tra diversi registri narrativi, gesti e segni “muti” in lingua LIS, nella sovrapposizione tra il luogo presente e l’altrove, le assistenti di volo portano il soggetto della narrazione ad alternarsi tra il “noi” e l’ “altro”: tra i “viaggiatori” e la specie vegetale asiatica Reynoutria Japonica. Al pubblico viene posta la domanda su chi dei due si trovi in territorio altrui. Detta anche Poligono del Giappone, in Europa questa specie vegetale viene considerata aliena ed altamente invasiva, senza antagonisti o metodi efficienti di eradicazione. In spazi lasciati all’abbandono, grazie alla sua struttura rizomatica, si dimostra capace di rovesciare l’ordine prestabilito tra Uomo e Natura, trasformandosi da preda a predatore in una sorta di ammasso radicale in espansione. La performance è accompagnata da una degustazione di cibi e bevande a base di Reynoutria Japonica, ad opera dalla chef ed esperta in alimurgia Eleonora Matarrese. Nell’intricato scambio tra occupante e spazio invaso, l’azione di ingerire la Reynoutria Japonica porta con sé una riflessione sulla storia migratoria delle specie vegetali, ma anche sulla necessità di accettare il nostro eco-sistema –profondamente antropizzato– come un organismo vivente e valido all’interno del corpo sociale, con tutta la sua forza di includere e inglobare attraverso connessioni di interdipendenza.